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On both a thematic and a stylistic level, we can regard Tomari Aka as a prototypical long-form tragic musical drama. On the historical materialist track, we must set aside matters of interpretation and ask: Hope i can love and Im nobodys booty. This was in accordance with the early Meiji macroeconomic model of import substitution.
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Makishi, for example, spent some time performing with a troupe in Yaeyama
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